Jim Lauderdale is a multi-talented performer and songwriter, with successes in both country and bluegrass music. His roots stem from the Carolinas, yet his career has taken him all over the United States and abroad, making him an international recording artist with an ever-growing fan base. He has hosted the Americana Music Awards for the past three years and won their ﬁrst Artist of the Year and Song of the Year awards. He is among Nashville's "A" list of songwriters, with songs recorded by artists such as Patty Loveless, Dixie Chicks, Mark Chestnut, Vince Gill and George Strait. He also contributed several songs to the successful soundtrack of the ﬁlm, "Pure Country." His songs continue to strike a chord with a new generation of artists including Gary Allan and Blake Shelton.
Jim's musical inﬂuences include the legendary Dr. Ralph Stanley and George Jones. These inﬂuences and his unique sense of melody and lyric help forge a sound that is truly his own. As a performer his credits include production, writing and collaborating on albums such as, "Wait 'Til Spring" with Donna the Buffalo, "Headed for the Hills” with Grateful Dead lyricist Robert Hunter, "I Feel Like Singing Today" and the Grammy winning “Lost in the Lonesome Pines” with Ralph Stanley and The Clinch Mountain Boys.
Jim?s solo albums include “The Hummingbirds” (Dualtone 2002), “The Other Sessions” (Dualtone 2001), “Onward Through it All” (RCA 1999), “Whisper” (BNA 1997), “Persimmons” (Upstart 1996), “Every Second Counts” (Atlantic 1995), “Pretty Close to the Truth” (Atlantic 1994), and “Planet of Love” (Reprise 1991), as well as his two brand new releases “Country Super Hits, Volume 1” and “Bluegrass” (Yep Roc 2006).
"It's been a particularly great period for me," says Lauderdale. "Thanks to the records - I'm performing more and more, which I
love. And I love that I can play the Opry one weekend, a jam-band festival the next and then a bluegrass festival the following week.
That's really inspiring to me and I think there's a real thread there. The roots are the same for all of them and that's the music I'm
Jeni & Billy
Jewell Ridge Coal is the new record from acoustic duo Jeni Hankins and Billy Kemp. Drawing from Traditional Country, Appalachian, Old-time,
Country Blues, Bluegrass and Folk music to create their original songs, Jeni & Billy have crafted a unique sound that is truly their own. With their sparse
sound and absorbing lyrics, they have caught the attention of Americana greats Jim Lauderdale and Buddy Miller and folk-rock artist Jim Reilley of the New
Dylans. Yet one of their favorite reviews comes from Asheville, North Carolina, antiquarian map dealer John Ptak who writes, “I knew within 10 seconds that
you guys were for real . . . Jeni's voice is that clear Mother-M kind of quality that I love. I like the music you two make – inspired, true-to-your roots, spare
(excellent) guitar. I like silent places in music . . . Quiet, silent places give you time to listen, and also time to think – they are vastly underrated.”
Jewell Ridge Coal chronicles the changing fortunes of the Southwest Virginia coal mining community of Jewell Ridge. Though the subject is
regional, the songs are meant to present universal themes -- earth & heaven, rich & poor, love & loss, work & rest. Local 6167, named after the UMWA Local in
Jewell Ridge follows a laid-off miner as he rambles and reminisces among the places that boomed in big coal’s heyday. In Oxycodone, a song based on a
January 2008 Washington Post feature story by Nick Miroff, a miner contemplates the advice of his estranged father after a prescription drug addiction has
left his home in shambles. Middle Creek is sung from the perspective of grandchildren trying to braid together the strands of their moonshining grandfather’s
life and to understand his hardness and his outsider status in their community. Though many of the tracks on Jewell Ridge Coal feature Jeni & Billy only, they
couldn’t resist inviting a few friends to take part. Grammy award winning artist Jim Lauderdale and his Grammy award winning producer Randy Kohrs sing
harmony. Virtuoso fiddler Shad Cobb of the John Cowan Band lends his soulful strokes to a couple of tunes. And singer-songwriter Kim Peery Sherman lends
a gorgeous alto harmony and twinkling guitar to the ballad Tazewell Beauty Queen.
Jeni comes by her mournful, lonesome voice honestly. Born in the coalfields of Southwest Virginia, her singing has been compared to that of
Mother Maybelle Carter and Hazel Dickens. A born storyteller, she has been a writer almost since she could put pen to paper, a vocation inherited from her
journalist father and grandfather. Jeni honed her powers of observation and turn of phrase as a student of Pulitzer Prize winning Northern Irish poet (and
sometime rock lyricist) Paul Muldoon who with his typical brevity called Jeni & Billy’s 2006 EP Sweet & Toxic “Great Stuff!!!”
Billy comes to the duo with a long history of music-making. He has been everywhere from Germany to the Grand Ole Opry playing his guitar and
singing. A Baltimore native, he was introduced to the world of country music through the fateful movie house experience of seeing Bonnie & Clyde. He loved
the music of Flatt & Scruggs so much he went back just to listen fourteen times. He has played numerous bluegrass festivals sharing stages with Jim & Jesse
and Jimmy Martin. Billy has also performed solo at nationally known venues such as the Fox Theatre in Atlanta, the Lonestar Cafe in New York, the Kennedy
Center and the Birchmere, opening for Johnny Cash, Merle Haggard, Kathy Mattea, Janis Ian, and Joe Ely among others. He has leant his talents to the shows
of many folk luminaries including Oscar Brand, Christine Lavin, and Tom Paxton, as well as producing and touring with Debi Smith.
Together, Jeni & Billy will draw you into captivating narratives of heartache and hard living, of true life blues and unexpected grace. Images of
coal & crowns, trash & trailers, and glass and gasoline recur, and Jesus and the Great Speckled Bird are never far off.